Origin of Country Music Research Paper Example | Topics and Well Written Essays - 1750 words

Origin of Country Music - Research Paper ExampleIn fact, a deconstruction of the structure and histories of many genres especially the rock and metal medicine, which is so popular in America now although by all appearances very far, removed from the sober country music would show a alliance closer than the majority would expect. I will seek to examine the origin of country music, its history and the genres from which it evolved from, its recent singers. Moreover, I will evaluate the different forms in which it existed and still does the instruments that were used, its evolution and over times and the diverge it has had to other genres of music today as well as their influence to it. ... They brought along with them their around prized possessions and among these were melodious instruments like the fiddles from Scotland, which became so popular that the early musicians were often referred to as fiddlers. Considering the European love for telling tales however, the songs came in very hardy since very few could read and most of the country songs tell simple and innocent stories with easy to understand lyrics and language. The inhabitants who lived in the Appalachian Mountains and the West did not contain an easy life and their music gave them an exit to convey their adversities (Country music planet 3). However, the origins are not only European another of the most famous original instruments was the banjo brought from Africa in the slave trade. White country singers who were by the most popular were intrigue and influenced by black sounds, songs and images (Lewis p 52). The first official appearances of country music began around 1910, when John Lomax print cowboys songs, and Cecil Sharp later followed suit when he also published songs from the Appalachian Mountains. These 2 events initiated the interest in the music, and in 1922, the first record of old time music was done by Eek Robertson, a Texan fiddler (Scaruffi 1). With time, the genre took shape independently and proved quite versatile by moving away from the sentimental and love focused content of the British. The Americans customized it and unlike the British who had several themes of the mystical, loves shew and lost, violent happenings and avenging spirits. In America, the songs developed into extremely biased and private, downplayed the mystical, and, in songs of offenses, highlighted the wickedness act while minimizing the turn over (Country music planet 1). During